Flash

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Why use a photographic flash.
An accessory that can not be missing in the baggage of a professional or a photography enthusiast is the photographic Flash, essential for obtaining perfect images. Many tend to avoid using it, but if done right the results are excellent.

Today, new technologies offer the photographer more possibilities depending on ...

Why use a photographic flash.
An accessory that can not be missing in the baggage of a professional or a photography enthusiast is the photographic Flash, essential for obtaining perfect images. Many tend to avoid using it, but if done right the results are excellent.

Today, new technologies offer the photographer more possibilities depending on the work he has in mind to do, in fact there is no longer a single flash that emits a standard light, but various light solutions that respond well to the needs of those who take the photograph. Some images need this added value, just think of fashion photography, still life or a portrait photo. The support of this artificial light has the ability to transmit part of the emotion that you want to convey in a photo and make it unique, solving serious problems given by the lack of natural light.

The Flashes on the market offer the possibility to choose the best settings to obtain an excellent final result. In fact, it is possible to adjust the times and the intensity of the light beam in order to enhance or soften lights and shadows.

Why use the external flash.
- It often happens that the subject is illuminated from behind or is in the shade, in which case the flash is useful for lightening it from the front;

- When there is no lighting, it is used as the main light. The advantage in this case lies in the adjustment of the flash that the photographer can balance and position as he sees fit;

- To bring the gaze of the posing subject to life, place the flash on the side and point the light in the pupils of the eyes of the person portrayed;

- Get a dramatic photograph by adding strong lights that create sharp shadows or cuts;

- To stop the moment in a photo, in fact in less than optimal light conditions, using long times would not help to stop dynamic subjects;

- To separate the subject from the background.

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